23 November 2013 – 5 January 2014
On Saturday 23 November, the exhibition Russian Atelier on the Amstel: 10 contemporary artists will open at the Hermitage Amsterdam. The exhibition, which will take place during the final weeks of the year of friendship between Netherlands and Russia, showcases the recent work of ten artists with roots in Russia who have been living and working in the Netherlands for some time. Their art explores a variety of themes, such as migration, the shift between two worlds, memories of life in Russia, the often nomadic, world-hopping existence of the contemporary artist, and questions of identity. The artists Marina Chernikova, Gluklya, Asia Komarova, Irina Popova, Andrei Roiter, Slava & Marta, Masha Trebukova, Julia Winter and Tatyana Yassievich will present their paintings, photographs, installations, and videos. Visitors can also view video interviews with all the participating artists about their experiences in the Netherlands and the memory of their homeland as a theme in their work. Russian Atelier on the Amstel: 10 contemporary artists will run until Sunday 5 January 2014.
FFC Performance during the second Queer festival in St-Petersburg
”The relationship between big and small things” Tsaplya and Gluklya, Factory of Found Clothes: Interview by Katy Deepwell’ volume 27 n.paradoxa: international feminist art journal (Jan 2011) Women’s Work pp. 81-92
The problem of migration is one of socio-political problems that have been stirring the Western social conscience up for the last few decades, generating all kinds of attitudes: from roaring optimism to deep disillusionment with the methods and strategies of the Western state multicultural policy.
All the more urgent is this problem for Russia which, unlike Western countries, does not have any elaborate and long-term migration policy. That is why sanguinary conflicts between people from different cultural backgrounds on the same territory arise regularly and lead to predictable consequences. In other words, uncompromising ethnical and cultural clashes and deliberate confrontations of various groups became a regular cultural mechanism in Russia, and its price is the human right to life. Thus the state principle of dividing and ruling is implemented in Russia. Naturally, any productive cultural dialogue and social unity on the basis of diversity is out of question. Continue reading “DANCE FOR ALL!”