The idea behind the project is the decolonization of the subject of Heath.
When I have talked about this notion with Gary Farrelly, who was the main doctor of the first Clinic he proposed the longer title: CLINIC OF RADICAL EMPATHY. Then I have talked with another friend -Vova Rannev and he was so fascinated about the title just short as Clinic that I have returned to the first feeling of the project and decided to leave the title as it was from the first Impulse –Clinic.
The notion of Radical Empathy includes the Critical and Educational approach. The latest observations pointed on the lack of compassion and solidarity among our cultural community. The competitiveness, which is typical for the capitalist society with the ruling power of the free-market is blocking the resources of empathy and politically/socially framed creativity. I would like to oppose it by proposing the practice of Radical Empathy and Meaningful Care * referring to the notion of Global Solidarity.
The slogan Global Solidarity came from the article “The world after Coronavirus” by Yuval Noah Harari. It was one of the first articles that appeared at the very start of a global pandemic. Global solidarity is used in the article along with Empowering the citizens as opposed to New Surveillance – a new form of control that the government is developing for its citizens. The new type of surveillance and control, scarier, and more sophisticated than ever, allows “them” to look under our skin. We have to be prepared for that and develop new types of protection and resistance, to stay healthy, keep our freedom and the human rights to have enough air around ourselves and to be not totally controlled.
The Notion of Care is a multilayered subject.
On one hand, I would like to stay not ignorant of people’s needs, and my statement from 2002 when the Manifest “The place of the Artist is on the Side of the Weak” was written hasn’t changed since that time. On the other hand, to be able to help anybody, you should be very aware of the context of “other”, the one you want to give the helping hand to, with good intentions.
How should we think about Normality and Health now, within the Pandemic? How do we stay within a healthy spirit that is “a bit dirty” in a sense that nothing we can imagine now except the hybrid way of uniting with each other ??
What are the methods we, as artists and thinkers, have to invent to stay “healthy” (free and fearless) within the power structures which aggressively surveil the notion of “Health”?
The Plan of the project :
A series of research-oriented performative seminars which will result in an exhibition and performance or seria of the performances.
For organizing it I am deriving from my previous experiences of the projects Utopian Unemployment Union and Carnival of the Oppressed Feelings.
Seminars will be structured :
-Investigation of the NAZI conception of body and Heathy society, referencing it with the concept of Art of Germany 30-40 s )
– Conceptualizing the idea of the society as a body
-Examine the notion of Care, study the different concepts of Radical and Social Care.
The topic of Care is complex and has to be explored according to the current de-colonial debates and re-tinking the principles of modernity.
-Research about different approaches toward relationships between body and mind including the revisiting the notion of the Witchcraft ( by reflecting upon it ) and the healing rituals of Indonesian Indigenous tribes.
-Reading groups on the topic
I would like to construct a situation where participants can share their knowledge and experiences with a cross-pollinating result.
The idea is to encourage a cohort of Amsterdam based Artists and Thinkers mixed with the refugees and expats, spanning different generations and dialogical identities to rethink the notion of care drawing on indigenous, matriarchal, and, queer pieces of knowledge. The result of these encounters will be an exhibition assembling expertise, artefacts, storytelling, and new tools activated in the space by durational performance. Additionally, all the sublime efforts will be accumulated into the major performance under the working title: Clinic of the Sun Care.
We, (Hybrid Studio of the Anonymous Doctors ( HSAD)) hope you are well and let us warmly welcome you to our ClinicN2 event!
Meeting ID: 752 7192 3977
Hybrid Lecture-Crystal /15 October 2020, 3 pm – 6 pm European time
We are happy to invite you to our oscillatingzoom on 15 October 2020 which is to continue the program of the project “Clinic” dedicated to the research and colonization of the subject of Health.
This time our invited doctor will be Boris Klushnikov, philosopher and art historian based in Moscow.
He will discuss the capacity of crystals as a model of thinking and a natural metaphor for a new way of sensitivity.
Each edge of the Crystal will represent a certain thesis based on the history of the Russian avant-garde, the identity of the crystals in contemporary science fiction, and the ecological ideas of Bruno Latour.
During the process of Lecture-Crystal, we will try to construct the chorovod(round dance in Russian) of the suspense body s, trying to build the choreography with a help of the hand-jewelry. (An art-object), which might help us to create a collective dance of the overcoming contradictions.
The concept of this event appeared from the intention to create the perfopera (performative opera ) Care of the Sun as a response to the legendary opera Victory over the Sun, created by the giants of Russian Vanguard in 2013.
The new Corona rules are requiring not more than 6 people in the room. We are proposing not to take it too much dogmatically, but please let us know if you want to join the session alive or by zoom as soon as you can.
Thank you very much /Hartleijke bedankt /( HSAD)
Here you can find our previous letter of ( HSAD)
We wholeheartedly invite you to our Hybrid Studio of the Anonymous Doctors ( HSAD) meeting, which will be held on Monday, 17th of August. This will be the very first meeting of art personas, where we are going to discuss the project Clinic.
The idea of this project grows from our current situation with a pandemic, where the topic of health brings the most attention to the system.
The governments are concerned and thus prepare new special methods to control us, our minds, and our hearts. Their plan of controlling our blood flow and the condition of our organs births the response of any creatively-complete persona.
What we can do is to answer to those actions with an equally challenging game!
We are cordially inviting you to become doctors yourself, or to consciously choose the role of a patient and to self-diagnose.
We are sure that the world hasn’t learned about new illnesses yet. They have yet to be documented, and maybe we, the egalitarian group of self-proclaimed doctors and experimentation, are destined to find ways to overcome them.
I believe that many of you might share our belief that every artist is a doctor. In every art-related activity, there is some amount of art therapy. Although we cannot bring the idea of art in general only to the matter of healing, these times dictate what we focus on.
We invite you to participate in the first meeting of the Doctor’s congress, which will be held in a studio at Marnixstraat 150A, 17th of August, starting from 18:00.
Let’s heal each other until our complete Re-Invention of ours every fragilities!
Love ( HSAD)
11.9.2020 – 27.12.2020
Center for Contemporary Art, upper floor
The exhibition disturbance:witch approaches the theme of the witchcraft from the perspective of contemporary art. The focus is on “the disruptive factor” that shakes the deadlocked power structure and that is inherent in the figure of the witch. The witch-like, “abnormal”, “irrational”, “magical” and “wrong” opposes the traditional role patterns and structures and thus poses a threat to the status quo of contemporary societies that are still white and masculine dominated.
The exhibited works analyze aspects of the witchcraft as attributions and projections onto “witches” or women and queer people, which serve as instruments of exclusion, and examine strategies and goals that are still virulent as “witch hunts” today. The work examines not only the physical, but also the digital space in which the so-called “witch burnings” take place.
Works by: Jamika Ajalon, Tina Bara and Alba DʼUrbano, Emilio Bianchic, Anna and Bernhard Blume, Johanna Braun, Barbara Breitenfellner, Lysann Buschbeck, Sarah Decristoforo, Veronika Eberhart, Margret Eicher, Valerio Figuccio, Parastou Forouhar, Gluklya, Nilbar Güreş, Horst Haack, Orsi Horváth, Emily Hunt, Isabel Kerkermeier, Sharon Kivland, Miriam Lenk, Libera Mazzoleni, Franziska Meinert, Lambert Mousseka, Lisl Ponger, Protektorama (fed by JP Raether), Suzanne Treister, VIP and Carolin Weinert
Curated by Alba D’Urbano und Olga Vostretsova
Made possible by the Kunstfonds Bonn Foundation, with the kind support of the district promotion fund of the Senate Administration for Culture and Europe and the Austrian Cultural Forum
The Monument of Modern Slavery
I am contributing to the exhibition disturbance: witch, curated by Alba D’Urbano and Olga Vostretsova at the Center of Contemporary Art (ZAK) / the Citadel Spandau – see a short description attached. The opening reception is scheduled for the 10th of September and I would be happy to welcome you there.
For this exhibition, I am preparing a work entitled „Monument for Modern Slavery“, which is going be an installation that reflects upon phenomena of slavery, which I am developing in dialogue with the international cultural community and the Fashion Revolution movement. Having spent time in Indonesia and witnessed the horrific living conditions of garment workers there and listened to the stories of their exploitation, I had the impulse to create this installation, which displays clothes collected from the art community and hopefully from other communities, on a series of burnt wooden stakes.
I cordially invite you to contribute to this project with the clothes from your own garderobe – those that you might be bored of, or about to throw in the garbage – from one of the big exploitative brands such as H&M, C&A, Adidas, Reebok, Esprit, Marks & Spencer, Patagonia, Timberland, VANS, The North Face, Wrangler, Puma, ASOS, Converse, Jordan, Nike, Primark, COS, Zara, Promod, GAP, TopShop, etc. These clothes will be modified according to my artistic method and placed on burnt wooden pillars reminiscent of medieval stakes for burning “witches”, expressing a common feeling of guilt in face of the oppressed workers You can send or bring the items of clothing directly to the below address, the Citadel in Spandau.
If you want your name or the name of your organization to be mentioned please let me know. You are welcome also to write a bit your thoughts about the subject along the sending the clothes.
Thank you so very much!
The exhibition disturbance: witch
Exhibition curated by Alba D’Urbano and Olga Vostretsova
ZAK – Center of Contemporary Art
Spandau Citadel Berlin
Opening reception: Sept 10, 2020, 7 pm
Duration: Sept 11 – Dec 20, 2020
The feminist movement of the 1970s had already made the connection between witches and emancipated women, and the witch became a feminist archetype. Often quoted are the slogans by the Italian feminists, “Tremate, tremate, le streghe sono tornate!” (Tremble, tremble, the Witches have returned!) or “La gioia, la gioia, la si inventa, donna si nasce, le streghe si diventa!” (The joy, the joy, she will be discovered: was born as a woman, became a witch). Sylvia Federici, in her analysis of witch-hunting in connection with the transition from feudalism to capitalism, also describes the solidarity of feminists with witches: “Across ideological differences, the feminists have realized that a hierarchical ranking of human faculties and the identification of women with a degraded conception of corporeal reality has been instrumental, historically, to the consolidation of patriarchal power andthe male exploration of female labor.” (Silvia Federici, Caliban and the Witch: Women, the Body and Primitive Accumulation).
The exhibition disturbance: witch, located at the ZAK (Center for Contemporary Art) of the Spandau Citadel in Berlin, puts into focus disturbing factors that shake deadlocked power relations that are inherent in the character of the witch. The witch, the “abnormal,” the “irrational,” the “magical” and the “inverse” resists rigid role models and structures.
Unfolded within the framework of this international contemporary art exhibition are the aspects of the witch’s character. disturbance: witch does not address the practices of the historical witch nor the practice of magic, rather it analyzes the accompanying attributions to women and queer persons that are used as instruments of exclusion and strategies of a new witch hunt.
Artist list: Jamika Ajalon (US/FR), Emilio Bianchic (AR), Anna und Bernhard Blume (DE), Johanna Braun (AT), Barbara Breitenfellner (AT/DE), Lysann Buschbeck (DE), Alba D’Urbano und Tina Bara (DE), Sarah Decrostoforo (AT), Veronika Eberhardt (AT), Margret Eicher (DE), Parastou Forouhar (IR/DE), Gluklya (Natalia Pershina-Yakimanskaya) (RU/NL), Valerio Fuguccio (IT/DE), Nilbar Güres (TR), Horst Haack (DE), Emily Hunt (AU/DE), Orsi Horváth (HU), Isabel Kerkermeier (DE), Sharon Kivland (GB), Franziska Meinert (DE), Lisl Ponger (AT), Lambert Mousseka (CD/DE), Johannes Paul Raether (DE), Suzanne Treister (GB).
My name is Gluklya, I am of Russian origin, living now in Amsterdam and St-Petersburg (RU), artist and therapist, acting individually.
I am also a co-founder and member of the multidisciplinary platform chto delat https://chtodelat.org
I am welcoming you to perform together on the 27 February at 1 pm in Purpluscode building!
Please bring a garment with you that you would like to burn!
I believe that art can heal and give strength and that we need to invent other rituals that can mobilize our community in our dark times. Other rituals than the ones that society forces us to do every day. Let’s resist artificial strategy of our governments to separate us from each other and form our own needs and feelings.
I propose to burn the clothes that brought you disappointment or pain. Something that you want to forgive and forget. I propose to see burning as an act of forgiving, because only after forgiving you can forget.
Let me share with you the preposition of our meeting :
Art talk of Gluklya as an intro to the performance
Sharing the stories of clothes that you want to burn
Burning the garments
Departure because of traffic
Let s upgrade ourselves collectively!
Maybe during the process of this performance, we will come to new revitalizing solutions for us and society. It is our journey and I am welcoming you to step into it!
I have constructed the situation to share the negative experiences that have happened with the members of the purpluscode community. We talked and focused on the clash between the personal and the political. There were stories about sexual and psychological assault, a frustration about nobody coming to the open call, and others.
I proposed to burn the clothing pieces that were acting as a reminder to the unpleasant experiences that people carry. After the act of burning, liberational sprits came upon us, and we had an open discussion.
Performance in Jatiwangi Art Factory, Indonesia /2020
I have constructed the situation for the focused tet-a-tet Dialogue about the Realization of Your Dream in the Bamboo Shelter for the Good Spirit, which I have built with the help of wonderful workers. The topic came from the Community. In the context of the decolonization process, I refused to work with my own topic, but took the one which was already there.
I have invited people to speak about their dream and then asked them to draw it.
It was amazing to discover that interest in European Psychoanalysis is present there. The combination of Islam, Marxism, and Psychoanalysis gave an interesting context for the performance and a boost for the research in general.
I intended to leave the Bamboo Shelter for the Good Spirit for the Community so that the inhabitants might have the opportunity to use it further for the development of the new method of Indonesian Psychoanalysis.
The frame of my research is the study of decolonization processes in Europe and Russia with the help of interviews, performances, and workshops, with the outcome of the exhibition in Framer Framed in Amsterdam and other places.
The Motivation behind my trips to Indonesia and post Soviet Asian countries is to discover the techniques and knowledge of a healthy collaboration between body, mind, and spirit by learning about it from rituals and stories and inventing new rituals and learning narratives to establish a new context of the mutual exchange between Asia and Europe.
Corona Diary seria
Corona Diary seria
Now every time going “buiten” became a breathtaking adventure. Before you were just going out and it is an ordinary trip with usual sites.
And now als je in de straat gaan -there is a real theater going on. Amazingly, how all people in such a short time became disciplined actors. They stop if they see you already from 8 meters, looking down passing by, doing a derive if the road is too narrow by going on the opposite side of the street, gazing suspicious or with the open scariness in the shop if you violate 1,5 m by chance.
Are humans becoming enemies! ??
This night I had a dream that I got a hand with a sophisticated prosthesis that can feel the skin of the person you want to touch and at the same time keep a distance.
It would be great to find the scientist who is thinking in the same direction and can create this hand together.
Corona Diary seria