I have been invited to The Fabric of Felicity in Moscow GARAGE , по ссылке вы найдете более подробную информацию о выставке
Films with my role as an artist and scriptwriter.
Chto Delat films with my role as an artist and scriptwriter.
Perestroika Songspiel /2008
https://chtodelat.org/category/b8-films/perestroika-songspiel/
Partisan Songspiel /2009
https://chtodelat.org/category/b8-films/pp2/
The Tower. A Songspiel /2010
https://chtodelat.org/category/b8-films/tower-songspiel/
The Lesson on Dis-Consent /2011
https://chtodelat.org/category/b8-films/fa_3/
Workshop in Palermo
Together with TAAK, Amsterdam and NoMade, Rome.The event hosted by TMO/Teatro Mediterranean Occupato /COPRESENCE
Gluklya’s Utopian Unemployment Union is a project uniting art, social science, and progressive pedagogy, giving people with all kinds of social backgrounds the opportunity to make art together. Her latest performance is the latest expression of this Union. The Carnival of Oppressed Feeling is the outcome of Gluklya’s encounters with refugees living at Bijlmerbajes, a former prison complex (in Amsterdam, the Netherlands.


Utopian Unemployment Union is a critical space to promote social innovation where thought becomes reality. Through an educational program with meetings and workshops for migrants and refugees, it aims to create and develop a path toward self-initiative and self-determination to escape rejection and exclusion.
The workshop aims to give shape to the implicit emotional experiences of people involved. The working method can be seen as a sort of experimental art therapy; it is defined by the artist herself as “formalization of fragility”, a way to give form to sensations and thoughts. For refugees it can often be difficult to translate thoughts into words, due to the lack of a shared language. During the workshop no traumas will be verbalised, the goal is to create something together and at the same time make the interaction between different groups of people less complicated.
GALLLERIAPIÙ represents Gluklya’s work in Italy. Together with the artist we realized in 2016 the project Utopian Unemployment Union of Bologna: Gluklya along with a small group made up of migrants, refugees and young students of the Fine Arts Academy of Bologna developed a new model to unite and redefine the relationship between the economy, art and social policies.
We now want to help Gluklya in finding motivated and engaged partners for the workshop that will take place at MANIFESTA 12 in Palermo, on 15 and 16 June 2018.
We are looking for:
-a LOCATION for the workshop
-a FILM MAKER for the video documentation
-a WRITER who will observe the workshop and write a text/diary
-PARTICIPANTS for the workshop, especially
NGOs open to experimentation
Teenagers who believe in the idea to change society
Refugees/migrants with a creative and open mind; who love drawing, singing, dancing,…
Teachers who are already teaching Italian to refugees
Academics and Students from the Linguistic Departments of the University http://www.unipa.it/strutture/scuolaitalianastranieri/
Gluklya’s workshop is something alive, not a product; it is in a state of becoming, which means it really depends on who will be the partners and participants!
Gluklya would be interested in developing UUU Palermo around the unification of Linguistics (academics, students) and Dancing and Music people. To unite people who are dealing with different languages: verbal and non-verbal.
via del Porto 48 a/b
40122 Bologna
+39 (0)51 6449537
Clothes for the Demonstration Against False Vladimir Putin Elections 2011-2015
Installation, mix textile, wood, hand writing
43 sticks x 3 m high
56 Venice Biennale, «All the Worlds Futures » 2015
The work originated with Protest Clothes which participated in real street protests in St. Petersburg in 2011-2012. However, only a few of those survived; the rest were new. The objects are thus “re-created” representatives of protesters with different political positions. Most of the objects included written slogans. The slogans have been divided into two categories: “Real” slogans people were screaming during the protests (“A Thief Must Sit in Jail”, “Bring Back Our voices”, “Russia Will be Free”, “The anti-abortion law is Russia’s shame”, “Vova, cut the crap and piss off”, “Russia without Putin”) and the “Utopian” ones, invented by me or my friends, that represent imaginative longing for a better society (“Artists and Migrants Unite”, “Does Russian Mean Orthodox?”, “Students and Veterans against Criminals”)
Interview with Anna Battista
Language Of Fragility

Language of Fragility/2017,Bijlmer Bajes ,Amsterdam
Manifesto of the Utopian Unemployment Union, 2017

Carnival of the Oppressed Feelings, Amsterdam 2018
Artists and Refugees Unite!
We call out to you courageous creatures without jobs, visas and or status, Mothers and children, Lions, Eagles and Partridges, Winged deer, Fish, and Algae and Sea Wheat and all microorganisms, witnesses of migrants drowned on their way to Europe and to the destroyed houses and the suffering people from wars, in a word, all lives, that completed their sorrowful circle now embodied as nomadic artists. You are the new people, born from globalism, who have speed up the circulation of their cells to an impossible degree. The collective world soul is in all of us. In us dwells the soul of the great free spirits, and also the smallest leech. The strands of cosmic consciousness are interwoven in us and we remember everything, everything, everything and we relive every life over again within ourselves.
– Whose side are you on? The masters of culture, was asked long ago by Maxim Gorky.
– Artists are on the side of the weak, said Gluklya and Tsaplya.
– Where is equality, I asked the birds and they flew far away.
– Where is equality, I asked the feminists. – There is equality, but not sameness, they said.
– Where is equality, I asked the art teacher with degrees from three different European institutions
– There is no equality, he said, and that in itself is equality.
But there is equality between Refugee and Artist! We have found it!
Imagine Schiphol Airport becoming a Theatre of the Utopian Union of Unemployed People!
All new arrivals in the European Union and residents together will be actors of their own play, the play which is training mussels on the sense of true equality and justice. The European Citizenship will be judged according to the Demands of the New Theatre:
•Empathy
•Compassion and Solidarity
•Overcoming fears
•Forgiving
•Subversive Humour
•Devotion to Friends
•Sense of Entire Beauty
•Creation
Capability to reinvent yourself and move further!
These are the new demands for issuing a visa to the e world civic theatre: the start of a new society.
The new revolution will come!
We need it in order to stop the frightful course of impossible alienation and stop the destruction of the planet by means of the new attainments of equality.
There is no other way for us!
And here we are out in the street.
We do not agree that the streets where we used to shape our society should be given away. The street should be of the people. Let’s subvert the ossified order of things. Down with idiotic expensive shops! Down with the elite order of shiny trinkets that bring happiness to nobody! Down with gentrification and the brazen despotism of developers!
Architects! Do not submit! Turn down such projects! Artists! Writers! Musicians! Ecologists! Philosophers! For the sake of Refugees and all creatures: join the Utopian Unemployment Union!
Join the Potato eaters party for resistance, the Monster party for overcoming of fears, the Language of Fragility party to express your feelings, the Recycling Prison party to overhaul the system and, the Spirit of History party to bring new life to the Revolution!
Manifesto of the Utopian Union of Unemployed People written by Gluklya /Natalia Pershina -Jakimanskaya and edited by Theo Tegelaers for the performative demonstration Carnival of the Oppressed Feelings in Amsterdam 28 October 2017
We will overcome one day

Utopian Unemployment Union (UUU)
Performative Laboratory )
The Utopian Union of the Unemployed is a project that brings together poets, refugees, academiks,migrants, artists and institutions in the united aim of developing a pilot model for a new type of a perforative laboratory that exists at the junction of art, economics, progressive pedagogy and the social sciences. The goals and objectives of the project are to research new methods to integrate newly-arrived refugees united them with local creative thinkers into the European Community.
UUU constituted as composition of meetings, collective walking, talks, reading groups, performative encounters. UUU can be resulted as art project or as a new relationships which can lead to long lasting collaboration based on friendship and trust .
These project starts on 2010 in St-Petersburg from the process of making video of the coinciding behaviour of the Ballerinas and Migrants from the Uzbekistan who are coming to Russia to work at the low payed and most unpleasant jobs. The idea to work with binary oppositions came from the study of the dialectical approach of the state of things .
Here is the piece of the text from these project: Our basic concept is to explore cultural encounter through the interaction between two different groups, one elite and another precarious and marginalised. For example, in Russia we are planning to bring together ballerinas and construction workers. Russian classical ballet by many is perceived as the quintessence of Russian cultural tradition, and a major cultural ‘export’. As an art form, it is characterised by the desire for order, beauty and harmony. As a cultural phenomenon, however, ballet incorporates the idea of empire, power and discipline. As an institution, it continue to be dominated by ethnic Russians. Construction work, to the opposite, is perceived as polluted, disorderly, and undesirable activity. Like in many other countries, construction workers come from undocumented migrant background, and are received with disrespect and exclusion.
In the case of Russia, we would like to make these groups to collaborate: ballerinas will come to construction sites and to observe and participate in the work done there. They will be trained and supervised by construction workers. The migrant workers from construction sites will visit Vaganov School where they, in turn, will learn the language of ballet. Each set of participants will produce an item – a dance which might lead to the installation – expressive of the difference in professions and life styles of the groups. The process will be filmed and participants interviewed after each session.
Masks for Debates on Division in Oslo /2017
Frustration N3










