Van Abbe Museum ,POSITIONS # 4
Positions #4 introduces the work of four international artists – two individuals and one group: Gluklya(Natalia Pershina -Jakimanskaya), Sandi Hilal & Alessandro Petti and Naeem Mohaiemen. These artists all share an activist practice that draws on the history of colonialism, occupation and political conflict to make work about living in the world today.
The exhibition includes film, drawing, architecture, models, archives, texts and clothing to build up elaborate images of particular parts of the world and conditions in places both near and far away from Eindhoven. Often the artistic practices sit at the crossroads of cultural anthropology, forensic science, documentary filmmaking, self-organization and collaboration. All four artists teach us – each in a different way – about the capacity of different minorities and marginal communities to cope with difficult life situations and survive, if not thrive, despite the powers exercised over them.
Carnival is trying to Overcome Suffering
Gluklya’s practice simulates current socio-political urgencies and it contests power structures that function in the public urban space. Gluklya’s work process is distinguished by playfulness, as her studio turns into a meeting point where diverse collaborators work together on translating mutual socio-political inquiries into conceptualized clothes and other useable artistic items, which are later applied within further performance activities characterised by protest gestures in the public space.
In 2017, Gluklya’s studio was located in the former prison Bijlmerbajes, where different artists, refugees, and other cultural NGO’s activities were accommodated. Motivated by the unique location of her studio and its surrounding, she initiated the Utopian Unemployment Union(UUU), a platform where various collaborations have been created, including long-term relations with refugees, asylum seekers, students, different art-practitioners, scholars and other people. Under the umbrella of the ‘UUU’ and in collaboration with TAAK and her collaborators, Gluklya developed the ‘Carnival of the Oppressed Feelings’ – a protest performance in the public space of the city, that took place in the route between Bijlmerbajes and Dam square in Amsterdam.
Afterall Journal 2019